Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting... Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: Briton Riviere (British, 1840-1920) Title: Greyhounds Medium: Antique heliogravure on thick wove paper after the original by a Master Engraver. Year: 1892 Signature: Signed in the plate, lower left. Condition: ExcellentDimensions: Image size 6 5/8 x 8 5/8 inches. Framed dimensions: Approximately 16 x 18 inches. Framing: This piece has been professionally matted and framed using all new materials. Additional notes: This is not a modern print. This impression is more 125 years old. The strike is crisp and the lines are sharp. Artist Biography: Briton Rivière was a British artist of Huguenot descent. He exhibited a variety of paintings at the Royal Academy, but devoted much of his life to animal paintings. Briton's father, William Rivière (1806–1876), was for some years drawing-master at Cheltenham College, and then an art teacher at the University of Oxford. Briton was educated at Cheltenham College and Oxford, where he took his degree in 1867. For his art training he was indebted almost entirely to his father. His paternal uncle Henry Parsons Rivière (1811–1888) was also a noted watercolourist, exhibiting works at the Royal Watercolour Society, London and the Royal Birmingham Society of Artists. His first pictures appeared at the British Institution, and in 1857 he exhibited three works at the Royal Academy, but it was not until 1863 that he became a regular contributor to the Academy exhibitions. In that year he was represented by The eve of the Spanish Armada, and in 1864 by a Romeo and Juliet. However, subjects of this kind did not attract him long, for in 1865 he began, with Sleeping Deerhound, a series of paintings of animal-subjects which occupied much of the rest of his life. In a lengthy interview in Chums Boys Annual, entitled "How I paint animals", Rivière explained some of the practicalities of painting both tame and wild animals: "I have always been a great lover of dogs but I have worked at them so much that I've grown tired of having them about me. However, you can never paint a dog unless you are fond of it. I never work from a dog without the assistance of a man who is well acquainted with animals..... Collies, I think, are the most restless dogs....greyhounds are also very restless, and so are fox terriers..... The only way to paint wild animals is to gradually accumulate a large number of studies and a great knowledge of the animal itself, before you can paint its picture...... I paint from dead animals as well as from live ones. I have had the body of a fine lioness in my studio..... I have done a great deal of work in the dissecting rooms at the Zoological Gardens from time to time." Early in his career, Rivière made some mark as an illustrator, beginning with Punch magazine. He was elected an Associate of the Royal Academy of Arts in 1878, and a Royal Academician in 1881, and received the degree of Doctor of Civil Law at Oxford in 1891.[2] He was narrowly defeated in the election for President of the Royal Academy in 1896. His wife, Mary Alice Rivière (née Dobell; 1844–1931) whom he married in 1867, was a painter and exhibited briefly at the Royal Academy of Arts in 1869–70. After his death she presented the British Museum with four of his drawings (and an etching The king drinks), which complements the dozens of prints made after his work housed there, especially by Frederick Stacpoole and William Henry Simmons. The artist and his wife had seven children; five sons and two daughters. One of the sons, Hugh Goldwin Rivière (1869–1956), became a portraitist. Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS |
Price: 754 USD
Location: Cape Coral, Florida
End Time: 2025-01-18T23:55:00.000Z
Shipping Cost: N/A USD
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Item Specifics
Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money back or replacement (buyer's choice)
Return policy details:
Size Type/Largest Dimension: Medium (Up to 30in.)
Type: Print
Listed By: Dealer or Reseller
Framed/Unframed: Matted & Framed
Signed: Signed
Date of Creation: 1800-1899
Style: Old Master
Material: Photogravure
Features: Framed, Matted, Signed
Subject: Animals
Print Type: Heliogravure, Photogravure